{"id":5064,"date":"2013-09-19T15:32:47","date_gmt":"2013-09-19T15:32:47","guid":{"rendered":"http:\/\/www.musicbar.cz\/?p=5064"},"modified":"2013-09-19T17:31:12","modified_gmt":"2013-09-19T17:31:12","slug":"submotion-orchestra-rande-minulosti-s-budoucnosti-bude-5-11","status":"publish","type":"post","link":"https:\/\/musicbar.cz\/cs\/novinky\/submotion-orchestra-rande-minulosti-s-budoucnosti-bude-5-11\/","title":{"rendered":"Submotion Orchestra: Rande minulosti s budoucnost\u00ed bude 5.11."},"content":{"rendered":"

S\"submotion_cover_\"<\/a>everoanglick\u00fd post-jazzov\u00fd kolektiv Submotion Orchestra<\/strong> si u\u017e v \u010cesk\u00e9 republice pravideln\u00fdm koncertov\u00e1n\u00edm na\u0161la spoustu fanou\u0161k\u016f, kter\u00e9 znovu pot\u011b\u0161\u00ed 5. listopadu v Lucerna Music Baru<\/strong>. Sedmi\u010dlenn\u00fd band z Leedsu v \u010dele s jazzov\u00fdm prof\u00edkem Tommy Evans<\/strong>em a bas\u00e1kem Chris<\/strong>em Hargreaves<\/strong>em doraz\u00ed do Prahy v r\u00e1mci evropsk\u00e9ho turn\u00e9 a poslucha\u010d\u016fm p\u0159edstav\u00ed nejen materi\u00e1l z\u00a0lo\u0148sk\u00e9 desky Fragments<\/em>, kter\u00e1 nab\u00edz\u00ed prvot\u0159\u00eddn\u00ed koktejl futuristick\u00e9 elektroniky a sofistikovan\u00e9ho jazzu, ale tak\u00e9 zbrusu nov\u00e9 skladby z\u00a0p\u0159ipravovan\u00e9ho alba. Pokud se v\u00e1m zd\u00e1, \u017ee sou\u010dasn\u00e1 klubov\u00e1 elektronika ztratila vazbu na sv\u00e9 ko\u0159eny, pak jsou tu je\u0161t\u011b angli\u010dt\u00ed Submotion Orchestra, kte\u0159\u00ed klubov\u00e9 beaty obaluj\u00ed do \u017eiv\u00fdch tradic soulu a jazzu. Za \u010dty\u0159i roky sv\u00e9 existence si vybudovali pov\u011bst jednoho z nejorigin\u00e1ln\u011bj\u0161\u00edch hudebn\u00edch t\u011bles na ostrovech a sv\u00e9 v\u00fdsostn\u00e9 koncertn\u00ed kvality stvrdily na dvojici pra\u017esk\u00fdch koncert\u016f i na leto\u0161n\u00edm festivalu Colours of Ostrava. Pokud jde o koncertn\u00ed f\u00fazi dubstepu, jazzu, soulu a ambientu zahranou na akustick\u00e9 n\u00e1stroje, nevyrovn\u00e1 se jim na sou\u010dasn\u00e9 hudebn\u00ed sc\u00e9n\u011b nikdo.<\/p>\n

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Multi\u017e\u00e1nrov\u00e1 filosofie Submotion stoj\u00ed na odli\u0161n\u00fdch hudebn\u00edch z\u00e1jmech jednotliv\u00fdch hr\u00e1\u010d\u016f \u2013 mozek projektu Tommy Evans si pro\u0161el reggae i jazzov\u00fdmi kapelami, buben\u00edk Danny Templeman je ovlivn\u011bn\u00fd latinskoamerick\u00fdmi styly a bas\u00e1k Chris Hargreaves, (nat\u00e1\u010del t\u0159eba s Andreyou Triana) miluje soul a hip hop. \u0160katulkov\u00ed purist\u00e9 maj\u00ed sm\u016flu, jejich skv\u011ble p\u0159ijat\u00e9 desky Finest Hour <\/i>a Fragments <\/i>osciluj\u00ed mezi orchestr\u00e1ln\u00edm jazzem, sofistikovan\u00fdm broken beatem, filmov\u00fdm ambientem \u010di dubem. Mezi spletit\u00fdmi rytmy a melancholick\u00fdmi kl\u00e1vesov\u00fdmi plochami Fender Rhodes se bez ostychu propl\u00e9t\u00e1 soulov\u00fd vok\u00e1l i jazzov\u00e1 trumpeta.<\/p>\n

Na sv\u00e9 cest\u011b k futuristick\u00e9mu jazzu jako kdyby leedsk\u00fd septet na\u0161el zkratku do devades\u00e1t\u00fdch let k tehdy tak popul\u00e1rn\u00edmu nu-jazzu \u010di trip hopu, ov\u0161em oko\u0159en\u011bnou industri\u00e1ln\u00edmi beaty a subbassy nult\u00e9 dek\u00e1dy. „Chceme hr\u00e1t tane\u010dn\u00ed hudbu s v\u00fdraznou basovou linkou,“ \u0159ekl kapeln\u00edk Tommy Evans letos v rozhovoru pro Aktu\u00e1ln\u011b.cz a dod\u00e1v\u00e1: „Ale rozhodn\u011b po\u0159\u00e1d zn\u00edme v\u00edc jako Miles Davis ne\u017e jako Skrillex.“<\/p>\n

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Na druh\u00e9m studiov\u00e9m albu Fragments <\/i>vydan\u00e9m vloni v \u0159\u00edjnu se podepsal fakt, \u017ee materi\u00e1l vznikal s p\u0159isp\u011bn\u00edm v\u0161ech \u010dlen\u016f kapely, hudba Submotion Orchestra jsou tak je\u0161t\u011b barevn\u011bj\u0161\u00ed a organi\u010dt\u011bj\u0161\u00ed. Pozn\u00e1vac\u00edm znakem jsou ale po\u0159\u00e1d \u00fachvatn\u00fd soulov\u00fd vok\u00e1l zp\u011bva\u010dky Ruby Wood<\/strong> a subbasov\u00e9 linky \u00e1 la DJ Ruckspin<\/strong>a. Deska Fragments <\/i>znovu vyd\u00e1 lond\u00fdnsk\u00e1 zna\u010dka Exceptional <\/strong>specializuj\u00edc\u00ed se na prol\u00edn\u00e1n\u00ed jazzu a elektronick\u00e9 hudby. (Je domovem nap\u0159\u00edklad projektu United Future Organization \u010di japonsk\u00e9ho hudebn\u00edho mistra Susumu Yokota).<\/p>\n

U\u017e\u00edt si kapelu, kter\u00e1 svoj\u00ed energi\u00ed i virtuozitou uhranula nejen Colours a Pohodu, ale tak\u00e9 velk\u00e9 evropsk\u00e9 festivaly jako jsou Glastonbury, The Big Chill, Latitude \u010di Outlook dostane \u010desk\u00fd poslucha\u010d mo\u017enost znovu 5. listopadu, kdy se \u00a0Submotion Orchestra tentokr\u00e1t p\u0159edstav\u00ed v Lucerna Music Baru.<\/p>\n

V\u00edce informac\u00ed a uk\u00e1zky:<\/b>
\nhttp:\/\/submotion.co.uk<\/a>
\nhttp:\/\/www.myspace.com\/submotionorchestra<\/a><\/p>\n

Napsali o Submotion Orchestra:<\/b><\/p>\n

\u201e\u00dapln\u011b m\u011b to odrovnalo…N\u011bkde mezi Cinematic Orchestra a dubstepem – a p\u0159esn\u011b v\u00a0tom spr\u00e1vn\u00e9m pom\u011bru.\u201c<\/i>
\nGilles Peterson<\/p>\n

\u201eV\u00edtan\u00e1 zm\u011bna v z\u00e1plav\u011b neorigin\u00e1ln\u00ed a tuctov\u00e9 hudby, kter\u00e1 hraje v\u0161ude kolem n\u00e1s.\u201c<\/i>
\nTill Late Magazine<\/p>\n

\u201eDebut Finest Hour spojuje decentn\u00ed filmovou hudbu s unik\u00e1tn\u00ed verz\u00ed dubstepu, soulu a jazzu.\u201c<\/i>
\nAesthetica Magazine<\/p>","protected":false},"excerpt":{"rendered":"

Severoanglick\u00fd post-jazzov\u00fd kolektiv Submotion Orchestra si u\u017e v \u010cesk\u00e9 republice pravideln\u00fdm koncertov\u00e1n\u00edm na\u0161la spoustu fanou\u0161k\u016f, kter\u00e9 znovu pot\u011b\u0161\u00ed 5. listopadu v Lucerna Music Baru. Sedmi\u010dlenn\u00fd band z Leedsu v \u010dele s jazzov\u00fdm prof\u00edkem Tommy Evansem a bas\u00e1kem Chrisem Hargreavesem doraz\u00ed do Prahy v r\u00e1mci evropsk\u00e9ho turn\u00e9 a poslucha\u010d\u016fm p\u0159edstav\u00ed nejen materi\u00e1l z\u00a0lo\u0148sk\u00e9 desky Fragments, kter\u00e1 […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[404],"tags":[],"class_list":["post-5064","post","type-post","status-publish","format-standard","hentry","category-novinky"],"acf":[],"_links":{"self":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/5064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/comments?post=5064"}],"version-history":[{"count":0,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/5064\/revisions"}],"wp:attachment":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/media?parent=5064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/categories?post=5064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/tags?post=5064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}