{"id":4639,"date":"2013-05-28T16:38:19","date_gmt":"2013-05-28T16:38:19","guid":{"rendered":"http:\/\/www.musicbar.cz\/?p=4639"},"modified":"2013-05-29T15:28:14","modified_gmt":"2013-05-29T15:28:14","slug":"rozhovor-s-gregem-z-dreadzone-pred-ctvrtecnim-koncertem","status":"publish","type":"post","link":"https:\/\/musicbar.cz\/cs\/novinky\/rozhovor-s-gregem-z-dreadzone-pred-ctvrtecnim-koncertem\/","title":{"rendered":"Rozhovor s Gregem z Dreadzone p\u0159ed \u010dtvrte\u010dn\u00edm koncertem!"},"content":{"rendered":"

\"\"<\/a>Dreadzone<\/strong> jsou pojmem nejen tane\u010dn\u00ed sc\u00e9ny 90. let, ale i v\u0161ech, kter\u00e9 tehdy oslovily nov\u00e9 hudebn\u00ed p\u0159\u00edstupy k elektronick\u00e9 muzice i dubu a reggae. Tento projekt m\u011bl v\u017edy bl\u00edzko ke karibsk\u00e9 muzice, co\u017e podtrhuje i jamajsk\u00fd zp\u011bv\u00e1k Earl16<\/strong>, kter\u00fd je jeho sou\u010d\u00e1st\u00ed skoro od jeho po\u010d\u00e1tku v roce 1993. Prvn\u00ed dv\u011b desky 360 a SECOND LIGHT jsou dnes ji\u017e klasikami \u017e\u00e1nru, jejich\u017e kvality neobrousil ani zub \u010dasu. Dreadzone letos slav\u00ed 20. v\u00fdro\u010d\u00ed, pr\u00e1v\u011b chystaj\u00ed k vyd\u00e1n\u00ed nov\u00e9 album \u201eEscapades\u201c a 30. kv\u011btna se po dlouh\u00e9 dob\u011b znovu vr\u00e1t\u00ed do Prahy, kde vystoup\u00ed na kruhov\u00e9m podiu Lucerna Music Baru. U t\u00e9 p\u0159\u00edle\u017eitosti jsme napsali Greg<\/strong>ovi, kter\u00fd je mozkem Dreadzone, jestli by se s n\u00e1mi pod\u011blil o sv\u016fj pohled na historii sv\u00e9 kapely. Tady je p\u016fvodn\u00ed rozhovor jako p\u0159edkrm p\u0159ed \u010dtvrte\u010dn\u00edm pra\u017esk\u00fdm koncertem.<\/p>\n

Ahoj Gregu, d\u00edky za tv\u016fj \u010das, p\u0159edpokl\u00e1d\u00e1m, \u017ee jsi hodn\u011b zanepr\u00e1zdn\u011bn\u00fd prac\u00ed kolem nov\u00e9ho alba. Pro\u010d se vlastn\u011b jmenuje pr\u00e1v\u011b „Escapades“?<\/p>\n

To slovo se objevilo v jednom z \u0159\u00e1dk\u016f jedn\u00e9 nov\u00e9 p\u00edsni\u010dky. Je to zp\u016fsob, jak popsat dobrodru\u017estv\u00ed, kter\u00e9 jsem v roce 2011 za\u017eil spole\u010dn\u011b s Leem, kdy\u017e jsme znovu dali dohromady the Big Audio Dynamite. P\u0159ineslo n\u00e1m to nov\u00e9 zku\u0161enosti, kter\u00e9 inspirovaly novou tvorbu a tak\u00e9 turn\u00e9 se star\u00fdmi p\u0159\u00e1teli a cestu p\u0159es Ameriku. M\u00e1me radost z ka\u017ed\u00e9ho momentu a vedle toho v tom vid\u00edm i osobn\u00ed perspektivu ve sv\u00fdch vztaz\u00edch. Ka\u017ed\u00e1 epizoda v Dreadzone p\u0159in\u00e1\u0161\u00ed i novou eskap\u00e1du a pr\u00e1v\u011b toto slovo to cel\u00e9 skv\u011ble vyjad\u0159uje.<\/strong><\/p>\n

Album \u017eel oproti p\u016fvodn\u00edm pl\u00e1n\u016fm je\u0161t\u011b nevy\u0161lo, ale sly\u0161eli jsme u\u017e z r\u00e1dia nov\u00fd singl. Pl\u00e1nuje\u0161 p\u0159edstavit nov\u00e9 tracky i v \u010cesk\u00e9 republice?<\/p>\n

Ano, ur\u010dit\u011b budou v setu alespo\u0148 t\u0159i nov\u00e9 v\u011bci, mo\u017en\u00e1 i v\u00edce. R\u00e1di je vyzkou\u0161\u00edme na \u010desk\u00e9m publiku. Zat\u00edm je lidi p\u0159ijali velmi dob\u0159e.<\/strong><\/p>\n

Sly\u0161el jsem, \u017ee na desce spolupracovali i sta\u0159\u00ed p\u0159\u00e1tel\u00e9, prozrad\u00ed\u0161 n\u00e1m v\u00edc?<\/p>\n

D\u011blali jsme to album ve studiu Micka Jonese, tak\u017ee jsme c\u00edtil, \u017ee bych jej m\u011bl po\u017e\u00e1dat, aby n\u00e1m zahostoval v p\u00edsni\u010dce \u201eToo Late\u201c, kter\u00e1 je velmi siln\u00fd song. Tak\u00e9 Don Letts n\u00e1m pomohl napsat jeden text a je tu je\u0161t\u011b jeden host – zp\u011bva\u010dka Lena Cullen.<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Dreadzone letos slav\u00ed 20. v\u00fdro\u010d\u00ed, na co mysl\u00ed\u0161, kdy\u017e se kouk\u00e1\u0161 zp\u00e1tky?<\/p>\n

Jsem hrd\u00fd, \u010deho se n\u00e1m poda\u0159ilo dos\u00e1hnout a co jsme ud\u011blali za nahr\u00e1vky. Hlavn\u011b jsem ale \u0161\u0165astn\u00fd, \u017ee m\u00e1me konzistentn\u00ed level na\u0161\u00ed pr\u00e1ce a aktivit se slu\u0161n\u011b velkou z\u00e1kladnou fanou\u0161k\u016f, kter\u00e1 nav\u00edc st\u00e1le roste. Dlouhov\u011bkost je kl\u00ed\u010dem. Na\u0161e nahr\u00e1vky obst\u00e1ly zkou\u0161ku \u010dasu a \u017eiv\u00e9 show po\u0159\u00e1d d\u011bl\u00e1me s nad\u0161en\u00edm a snahou o originalitu.<\/strong><\/p>\n

Do kter\u00e9 etapy v historii kapely by ses vr\u00e1til, kdyby to bylo mo\u017en\u00e9?<\/p>\n

Haha, mo\u017en\u00e1 do let 96\/97, kdy\u017e jsme d\u011blali na\u0161e t\u0159et\u00ed album Biological Radio. Zbavil bych se tak p\u00e1r slab\u0161\u00edch aspekt\u016f t\u00e9to nahr\u00e1vky, dal bych facku hippie p\u0159\u00edstupu a zbavil se mystiky.<\/strong>
\nVid\u00ed\u0161 za tu dobu n\u011bjak\u00e9 rozd\u00edly ve va\u0161ich fanou\u0161c\u00edch pod podiem?<\/p>\n

Ani ne, jen se v publiku roz\u0161\u00ed\u0159il po\u010det mlad\u00fdch i star\u0161\u00edch lid\u00ed. Asi jak rodi\u010de dosp\u011bli a jejich d\u011bti si mezit\u00edm k n\u00e1m taky na\u0161li cestu.<\/strong><\/p>\n

Cel\u00e1 sc\u00e9na a hudebn\u00ed business se za tu dobu hodn\u011b zm\u011bnili. Jak se ti l\u00edb\u00ed nov\u00e9 technologie a mo\u017enosti internetu, kter\u00e9 ale z\u00e1rove\u0148 p\u0159in\u00e1\u0161ej\u00ed stahov\u00e1n\u00ed zdarma a tak d\u00e1le?<\/p>\n

Neust\u00e1le si u\u017e\u00edv\u00e1m mo\u017enost komunikace s lidma d\u00edky Dreadzone Facebooku a taky pou\u017e\u00edv\u00e1m Twitter, Soundcloud a YouTube. Nnab\u00edzej\u00ed toti\u017e \u00fa\u017easnou mo\u017enost, jak lidem p\u0159edstavit n\u00e1\u0161 zvuk. Nejsem schopn\u00fd \u0159\u00edct, jestli to vyrovn\u00e1v\u00e1 to v\u0161echno pir\u00e1tsk\u00e9 stahov\u00e1n\u00ed, ale r\u00e1d si p\u0159edstavuji, \u017ee ano. S podporou iTunes a dal\u0161\u00edch mo\u017enost\u00ed jak si koupit hudbu rostou i leg\u00e1ln\u00ed downloady. Jsme tak v bodu, kde digit\u00e1ln\u00ed trh vypad\u00e1 zdrav\u011b, a tak to m\u00e1 b\u00fdt. V\u011b\u0159\u00edm, \u017ee hodn\u011b lid\u00ed si uv\u011bdomilo, \u017ee je t\u0159eba vlo\u017eit pen\u00edze, abys podpo\u0159il tvorbu nov\u00e9 muziky.<\/strong><\/p>\n

Jak se ti l\u00edb\u00ed aktu\u00e1ln\u00ed britsk\u00e1 sc\u00e9na a jej\u00ed trendy?<\/p>\n

Po\u0159\u00e1d je tu n\u011bco \u010derstv\u00e9ho a skv\u011bl\u00e9ho v mnoha r\u016fzn\u00fdch aspektech. Nap\u0159\u00edklad te\u010f t\u0159eba vydavatelstv\u00ed Black Butter a Sub Slayers d\u011blaj\u00ed fakt v\u00fdborn\u00e9 v\u011bci, kde nov\u00fd jungle po boku s klasick\u00fdm zvukem house music potk\u00e1v\u00e1 t\u011b\u017ekoton\u00e1\u017en\u00ed basov\u00e9 linky, to se mi l\u00edb\u00ed! Ned\u00e1vno jsem se taky pono\u0159il do tvorby lond\u00fdnsk\u00e9ho um\u011blce, kter\u00fd si \u0159\u00edk\u00e1 Burial. M\u00e1 fakt v\u00fdjime\u010dn\u00fd zvuk, n\u011bco jako Aphex Twin dne\u0161n\u00edch dn\u016f. <\/strong>
\nVa\u0161e vlastn\u00ed hudba je siln\u011b propojen\u00e1 s reggae a dubem. M\u00e1\u0161 n\u011bjak\u00e9 konkr\u00e9tn\u00ed vzory z jamajsk\u00e9 sc\u00e9ny?<\/p>\n

Je hodn\u011b hrdin\u016f z tohoto po\u017eehnan\u00e9ho ostrova, jako t\u0159eba King Tubby, Lee Perry, Sly <\/strong>& Robbie, Dennis Brown, Gregory Isaacs nebo n\u00e1\u0161 vlastn\u00ed zp\u011bv\u00e1k Earl16.<\/strong><\/p>\n

Kdy\u017e se \u0159ekne \u010cesk\u00e1 republika, co se ti vybav\u00ed v hlav\u011b?<\/p>\n

P\u00e1r opravdu skv\u011bl\u00fdch vystoupen\u00ed, p\u0159\u00e1tel\u0161t\u00ed lid\u00e9, pohoda a kr\u00e1sn\u00e1 Praha. Moc se t\u011b\u0161\u00edme!<\/strong><\/p>\n

D\u00edky za rozhovor<\/p>\n

Admiral Kol\u00edbal
\nwww.jahmusic.net<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Dreadzone jsou pojmem nejen tane\u010dn\u00ed sc\u00e9ny 90. let, ale i v\u0161ech, kter\u00e9 tehdy oslovily nov\u00e9 hudebn\u00ed p\u0159\u00edstupy k elektronick\u00e9 muzice i dubu a reggae. Tento projekt m\u011bl v\u017edy bl\u00edzko ke karibsk\u00e9 muzice, co\u017e podtrhuje i jamajsk\u00fd zp\u011bv\u00e1k Earl16, kter\u00fd je jeho sou\u010d\u00e1st\u00ed skoro od jeho po\u010d\u00e1tku v roce 1993. Prvn\u00ed dv\u011b desky 360 a SECOND […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[404],"tags":[],"class_list":["post-4639","post","type-post","status-publish","format-standard","hentry","category-novinky"],"acf":[],"_links":{"self":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/4639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/comments?post=4639"}],"version-history":[{"count":0,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/4639\/revisions"}],"wp:attachment":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/media?parent=4639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/categories?post=4639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/tags?post=4639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}