{"id":39809,"date":"2024-01-04T16:45:56","date_gmt":"2024-01-04T14:45:56","guid":{"rendered":"https:\/\/musicbar.cz\/?p=39809"},"modified":"2024-01-24T16:59:20","modified_gmt":"2024-01-24T14:59:20","slug":"ceny-vinyla-2023","status":"publish","type":"post","link":"https:\/\/musicbar.cz\/cs\/program\/ceny-vinyla-2023\/","title":{"rendered":"Ceny Vinyla 2023: Toyota Vangelis \/ Petra Hermanova \/ Anna Vaverkov\u00e1 \/ Klara Wodehn"},"content":{"rendered":"<p>Ve\u010d\u00edrek s \u010deskou hudebn\u00ed sc\u00e9nou b\u011bhem n\u011bho\u017e budou ud\u011bleny v\u00fdro\u010dn\u00ed ceny Vinyla. A proto\u017ee jde o sv\u00e1tek hudby, hudba bude na prvn\u00edm m\u00edst\u011b. T\u011b\u0161it se m\u016f\u017eete plnohodnotn\u00e9 sety z \u0159ad nominovan\u00fdch: Toyota Vangelis, Petra Hermanova, Anna Vaverkov\u00e1 a Klara Wodehn.<\/p>\n<p>Moderuje Linda Barto\u0161ov\u00e1.<\/p>\n<p><strong>Toyota Vangelis \u2013 V\u00fdklopn\u00fd sv\u011btlomety<\/strong><br \/>\nHyperpop pojat\u00fd jako fiktivn\u00ed proj\u00ed\u017e\u010fka autem, ment\u00e1ln\u00ed scrolling ve vzpom\u00ednk\u00e1ch a v\u00fdlet do hloubi nitra. Debutov\u00e9 album Toyota Vangelis je ve znamen\u00ed hled\u00e1n\u00ed vlastn\u00ed identity na pozad\u00ed erupc\u00ed hudebn\u00edch n\u00e1pad\u016f, kter\u00e9 sahaj\u00ed od popu po experiment\u00e1ln\u00ed elektroniku. Na desce V\u00fdklopn\u00e9 sv\u011btlomety se pod\u00edleli t\u0159eba tak\u00e9 Oliver Torr, Tokyo Drift nebo Klara Wodehn. Po lo\u0148sk\u00e9 nominaci v kategorii Po\u010din roku je to dal\u0161\u00ed z\u00e1\u0159ez pro label Future Jisk\u0159\u00ed.<\/p>\n<p><strong>Petra Hermanova \u2013 In Death&#8217;s Eyes<\/strong><br \/>\nV \u010dele brn\u011bnsk\u00e9 skupiny Fiordmoss z\u00edskala Petra Hermanova v roce 2011 \u00fapln\u011b prvn\u00ed cenu Vinyla za objev roku. Skupina se pak ale rozpadla a Hermanova str\u00e1vila skoro dek\u00e1du hled\u00e1n\u00edm sv\u00e9ho vlastn\u00edho hudebn\u00edho jazyka. Pomohlo j\u00ed a\u017e objeven\u00ed autoharfy, kterou na sv\u00e9m uhran\u010div\u00e9m s\u00f3lov\u00e9m debutu In Death&#8217;s Eyes m\u00edch\u00e1 s kosteln\u00edmi varhanami a zp\u011bvem v angli\u010dtin\u011b. Inspirovala se zde st\u0159edov\u011bk\u00fdm dronem i doom metalem a d\u016fle\u017eitou roli na desce hraje vyrovn\u00e1v\u00e1n\u00ed se se smrt\u00ed bl\u00edzk\u00e9ho \u010dlov\u011bka.<\/p>\n<p><strong>Anna Vaverkov\u00e1<\/strong><br \/>\nPo lo\u0148sk\u00e9 nominaci na objev roku se Anna Vaverkov\u00e1 letos objevuje v kategorii Deska roku s debutovou dlouhohraj\u00edc\u00ed deskou Pozdravy z polep\u0161ovny. Piluje na n\u00ed sv\u016fj civiln\u00ed elektronick\u00fd pop o (ne)oby\u010dejn\u00fdch v\u011bcech. Na desce, kterou Anna Vaverkov\u00e1 nat\u00e1\u010dela v Berl\u00edn\u011b s producentem Liamem Blomqvistem, zachycuje mlad\u00e1 p\u00edsni\u010dk\u00e1\u0159ka nejistoty, obavy i absurditu spole\u010densk\u00fdch tlak\u016f, p\u0159\u00edtomn\u00e9 je ale i znovuobjevov\u00e1n\u00ed l\u00e1sky.<\/p>\n<p><strong>Klara Wodehn<\/strong><br \/>\nTrap girl, kter\u00e1 zahodila v\u0161echna kli\u0161\u00e9 rapu. Producentka a vokalistka Klara Wodehn upgraduje rap o vlivy pokoj\u00ed\u010dkov\u00e9 elektroniky a d\u016fle\u017eitou sou\u010d\u00e1st\u00ed jej\u00ed prezentace jsou i psychedelick\u00e9 vizu\u00e1ly. Od sv\u00e9ho debutu v lednu 2022 stihla vydat n\u011bkolik EP\u010dek, spolupracovat s Toyota Vangelis, Edov\u00fdm synem nebo hudebnic\u00ed zzai, s n\u00ed\u017e v roce 2023 vydala desku Shygrlz. <\/p>","protected":false},"excerpt":{"rendered":"<p>Ve\u010d\u00edrek s \u010deskou hudebn\u00ed sc\u00e9nou b\u011bhem n\u011bho\u017e budou ud\u011bleny v\u00fdro\u010dn\u00ed ceny Vinyla. A proto\u017ee jde o sv\u00e1tek hudby, hudba bude na prvn\u00edm m\u00edst\u011b. T\u011b\u0161it se m\u016f\u017eete plnohodnotn\u00e9 sety z \u0159ad nominovan\u00fdch: Toyota Vangelis, Petra Hermanova, Anna Vaverkov\u00e1 a Klara Wodehn. Moderuje Linda Barto\u0161ov\u00e1. Toyota Vangelis \u2013 V\u00fdklopn\u00fd sv\u011btlomety Hyperpop pojat\u00fd jako fiktivn\u00ed proj\u00ed\u017e\u010fka autem, ment\u00e1ln\u00ed [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[405],"tags":[],"class_list":["post-39809","post","type-post","status-publish","format-standard","hentry","category-program"],"acf":[],"_links":{"self":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/39809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/comments?post=39809"}],"version-history":[{"count":6,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/39809\/revisions"}],"predecessor-version":[{"id":39971,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/39809\/revisions\/39971"}],"wp:attachment":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/media?parent=39809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/categories?post=39809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/tags?post=39809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}