Rod\u00e1k z Vancouveru Dan Bejar vulgo DESTROYER se poprv\u00e9 za 20 let sv\u00e9 um\u011bleck\u00e9 dr\u00e1hy p\u0159edstav\u00ed na\u017eivo kone\u010dn\u011b tak\u00e9 v \u010cesk\u00e9 republice, a to v r\u00e1mci celosv\u011btov\u00e9ho turn\u00e9 k velmi \u00fasp\u011b\u0161n\u00e9mu, v lo\u0148sk\u00e9m roce vydan\u00e9mu a st\u00e1le aktu\u00e1ln\u00edmu albu Poison Season. DESTROYER vystoup\u00ed se sv\u00fdm osmi\u010dlenn\u00fdm ans\u00e1mblem. A m\u00e1me velkou radost, \u017ee pr\u00e1v\u011b v Praze (jako na jen m\u00e1lo dal\u0161\u00edch \u0161tac\u00edch po Evrop\u011b) Destroyer\u016fv ve\u010der otev\u0159e jeho mlad\u0161\u00ed kolega ze st\u00e1je Dead Oceans, illinoisk\u00fd rod\u00e1k, nejv\u011bt\u0161\u00ed objev chicagsk\u00e9 folk-rockov\u00e9 sc\u00e9ny posledn\u00edch let \u2013 Ryley Walker.<\/p>\n
Dan Bejar toho m\u00e1 za sebou hodn\u011b. Jen pr\u00e1v\u011b s projektem Destroyer sta\u010dil vydat ji\u017e deset alb. Krom toho v\u0161ak p\u016fsobil tak\u00e9 v kapel\u00e1ch The New Pornographers nebo Swan Lake. Debutov\u00e1 kolekce Destroyeru We\u2019ll Build Them A Golden Bridge vy\u0161la u\u017e v roce 1996. Tehdej\u0161\u00ed nahr\u00e1vka vznikla v dom\u00e1c\u00edch podm\u00ednk\u00e1ch, ale i v takto lo-fi zvukov\u00e9m h\u00e1vu ne\u0161el p\u0159eslechnout Bejar\u016fv dar pro silnou melodii, jen\u017e jej neopustil dodnes. Na ka\u017ed\u00e9 dal\u0161\u00ed nahr\u00e1vce v\u0161ak Destroyer zn\u00ed v\u017edy trochu jinak a v jeho tvorb\u011b se prol\u00ednaj\u00ed r\u016fznorod\u00e9 hudebn\u00ed vlivy. Dle vlastn\u00edch Bejarov\u00fdch slov je tomu tak z\u00e1m\u011brn\u011b \u2013 v\u017edy chce za\u010d\u00edt od nuly a na nic nenavazovat, tedy ani na zvuk a n\u00e1ladu p\u0159edchoz\u00ed desky. V roce 2011 se Destroyeru v souvislosti s kritikou vyzdvihovan\u00fdm albem Kaputt dostalo nominace na presti\u017en\u00ed Polaris Music Price. Cenu ale nakonec uzmuli Arcade Fire, slavn\u011bj\u0161\u00ed kolegov\u00e9 ze stejn\u00e9 vydavatelsk\u00e9 st\u00e1je (Merge Records) za The Suburbs.<\/p>\n
Zat\u00edm posledn\u00ed (u\u017e des\u00e1t\u00e9) album Destroyeru Poison Season vy\u0161lo v srpnu 2015. Bejar se skupinou na n\u011bm dle mnoh\u00fdch p\u0159edlo\u017eil dosud svou nejlep\u0161\u00ed a hudebn\u011b velice pestrou nahr\u00e1vku. Balady postaven\u00e9 na smy\u010dcov\u00fdch aran\u017e\u00edch st\u0159\u00eddaj\u00ed \u0159\u00edzn\u00e9 rockov\u00e9 songy, v\u0161e propojuje Bejar\u016fv nezam\u011bniteln\u00fd, nak\u0159\u00e1pl\u00fd hlasov\u00fd projev. Poison Season je doopravdy jedn\u00edm z nejzaj\u00edmav\u011bj\u0161\u00edch a nejd\u016fle\u017eit\u011bj\u0161\u00edch alb lo\u0148sk\u00e9ho roku. A ned\u011bl\u00e1 to z n\u011bho jen vysok\u00e9 hodnocen\u00ed t\u0159eba na Metacritic (86 %) a uzn\u00e1n\u00ed hodn\u00e1 um\u00edst\u011bn\u00ed ve v\u00fdro\u010dn\u00edch \u017eeb\u0159\u00ed\u010dc\u00edch tak respektovan\u00fdch mezin\u00e1rodn\u00edch m\u00e9di\u00ed jako jsou magaz\u00edny Uncut nebo Under the Radar, \u010di servery Pitchfork, Drowned in Sound nebo The Line of the Best Fit. Co se t\u00fd\u010de \u017eiv\u00e9ho proveden\u00ed desky, se kterou vyr\u00e1\u017e\u00ed na evropskou tour, na jej\u00ed\u017e trase kone\u010dn\u011b nebude chyb\u011bt ani Praha, Destroyer nijak netro\u0161ka\u0159\u00ed \u2013 v doprovodn\u00e9 kapele vedle kytar, kl\u00e1ves a bic\u00edch n\u00e1stroj\u016f sv\u00e9 m\u00edsto zauj\u00edmaj\u00ed i saxofon, p\u0159\u00ed\u010dn\u00e1 fl\u00e9tna nebo trubka. Je tedy jasn\u00e9, \u017ee je zad\u011bl\u00e1no na jedine\u010dn\u00fd koncertn\u00ed z\u00e1\u017eitek.<\/p>\n
Ryleyho Walkera m\u011blo tuzemsk\u00e9 publikum na\u0161im prost\u0159ednictv\u00edm \u0161anci u\u017e jednou za\u017e\u00edt na\u017eivo \u2013 v r\u00e1mci \u010deskobud\u011bjovick\u00e9 koncertn\u00ed s\u00e9rie Ostinato na podzim 2013. V tu dobu to ov\u0161em bylo ve dvojici s Danielem Bachmanem (Sacred Harp) a s \u010dist\u011b instrument\u00e1ln\u00edm reperto\u00e1rem \u00e0la John Fahey. Ne \u017ee by to nebyl velk\u00fd z\u00e1\u017eitek, ale svou s\u00f3lovou, p\u00eds\u0148ovou, jazzem \u0161mrncnutou folkovou polohu si Ryley schov\u00e1val pro obdob\u00ed n\u00e1sleduj\u00edc\u00ed. Nejd\u0159\u00edve u Tompkins Square nato\u010dil debutovou kolekci All Kinds OF You, j\u00ed\u017e magaz\u00edn Uncut bez probl\u00e9m\u016f hned za\u0159adil mezi nejlep\u0161\u00ed alba roku 2014 v\u016fbec, co\u017e nejsp\u00ed\u0161 mlad\u00edka (ro\u010d. 1989) vyhecovalo natolik, \u017ee hned v b\u0159eznu 2015 mu u\u017e na zna\u010dce Dead Oceans vych\u00e1z\u00ed album dal\u0161\u00ed. To nese n\u00e1zev Primrose Green a od jeho vyd\u00e1n\u00ed jsou ze v\u0161ech stran p\u0159es rok sly\u0161et jen \u00f3dy, \u017ee chicagsk\u00e1 songwritersk\u00e1 sc\u00e9na u\u017e dlouho nezplodila takov\u00fd talent. Ty \u00f3dy maj\u00ed pravdu a je jasn\u00e9, \u017ee pot\u00e9, co Ryley nejd\u0159\u00edv zkou\u0161el r\u016fzn\u00e9 styly od punk\/noise a\u017e po klasickou kytaru (prstov\u00e9 vybrnk\u00e1v\u00e1n\u00ed ostatn\u011b pou\u017e\u00edv\u00e1 nad\u00e1le), na\u0161el svoji parketu v rozv\u00edjen\u00ed folk-rockov\u00e9 americany v kombinaci s p\u0159iznan\u00fdm obdivem k britsk\u00e9 folkov\u00e9 sc\u00e9n\u011b let \u0161edes\u00e1t\u00fdch (Davey Graham, John Matyn ad.) a je v tom rovnou mistrem. Praha m\u00e1 kliku, \u017ee Ryleyho Walkera p\u0159ed Destroyerem za\u017eije pr\u00e1v\u011b v tomto jeho \u0161\u0165astn\u00e9m obdob\u00ed!<\/p>\n
LINE-UP:
\n20:00 doors
\n20:30 RYLEY WALKER
\n21:30 DESTROYER<\/p>","protected":false},"excerpt":{"rendered":"
Rod\u00e1k z Vancouveru Dan Bejar vulgo DESTROYER se poprv\u00e9 za 20 let sv\u00e9 um\u011bleck\u00e9 dr\u00e1hy p\u0159edstav\u00ed na\u017eivo kone\u010dn\u011b tak\u00e9 v \u010cesk\u00e9 republice, a to v r\u00e1mci celosv\u011btov\u00e9ho turn\u00e9 k velmi \u00fasp\u011b\u0161n\u00e9mu, v lo\u0148sk\u00e9m roce vydan\u00e9mu a st\u00e1le aktu\u00e1ln\u00edmu albu Poison Season. DESTROYER vystoup\u00ed se sv\u00fdm osmi\u010dlenn\u00fdm ans\u00e1mblem. A m\u00e1me velkou radost, \u017ee pr\u00e1v\u011b v Praze […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[405],"tags":[],"class_list":["post-18044","post","type-post","status-publish","format-standard","hentry","category-program"],"acf":[],"_links":{"self":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/18044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/comments?post=18044"}],"version-history":[{"count":7,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/18044\/revisions"}],"predecessor-version":[{"id":19385,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/posts\/18044\/revisions\/19385"}],"wp:attachment":[{"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/media?parent=18044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/categories?post=18044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicbar.cz\/cs\/wp-json\/wp\/v2\/tags?post=18044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}